**Number One (magazine)**
**Definition:**
*Number One* was a British weekly pop music magazine published from 1983 to 1992, known for its focus on chart music, artist interviews, and exclusive posters. It served as a competitor to other music magazines of the era, targeting a teenage audience with up-to-date music news and features.
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## Number One (magazine)
*Number One* was a prominent British weekly pop music magazine that operated between 1983 and 1992. It was launched to compete with established music publications such as *Smash Hits* and *Record Mirror*, aiming to capture the teenage market with a blend of music charts, artist interviews, and exclusive content. The magazine was notable for its comprehensive coverage of the UK Singles Chart and its inclusion of posters and giveaways, which helped it gain a dedicated readership during the 1980s.
### History and Background
*Number One* was first published in 1983 by the publishing company IPC Magazines, which was a major player in the UK magazine industry. The magazine emerged during a period of intense competition among music publications, as the 1980s saw a surge in pop music popularity and the rise of music television channels like MTV. *Number One* sought to differentiate itself by offering a more chart-focused approach, providing readers with detailed listings of the UK Singles Chart and exclusive interviews with popular artists of the time.
The magazine quickly gained traction among teenagers and young adults who were eager to stay informed about the latest music trends and chart-topping hits. Its weekly publication schedule allowed it to provide timely updates on new releases and chart movements, which was a key selling point compared to monthly magazines.
### Content and Features
The core content of *Number One* revolved around the UK Singles Chart, which was featured prominently in each issue. The magazine provided readers with the Top 40 singles, along with commentary and analysis of chart trends. This focus on the charts made it a valuable resource for music fans interested in the commercial success of their favorite artists.
In addition to chart coverage, *Number One* included interviews with popular musicians, ranging from established stars to emerging acts. These interviews often provided insights into the artists’ creative processes, upcoming projects, and personal lives, appealing to the magazine’s youthful audience.
Another hallmark of *Number One* was its inclusion of exclusive posters and giveaways. Many issues featured large, colorful posters of popular bands and solo artists, which were highly prized by readers. These posters contributed to the magazine’s appeal as a collectible item and helped foster a sense of community among fans.
The magazine also covered music news, reviews of new singles and albums, and features on music videos and live performances. Its editorial tone was accessible and engaging, designed to resonate with teenagers and young music enthusiasts.
### Competition and Market Position
During its run, *Number One* competed primarily with *Smash Hits*, which was the dominant pop music magazine in the UK. While *Smash Hits* was known for its humorous and irreverent style, *Number One* positioned itself as a more straightforward and chart-oriented publication. This distinction allowed it to carve out a niche among readers who preferred a focus on music charts and factual reporting.
Despite its efforts, *Number One* struggled to match the circulation figures of *Smash Hits*, which maintained a strong brand presence throughout the 1980s. However, *Number One* remained a respected publication within the music magazine landscape and was appreciated for its comprehensive chart coverage.
### Decline and Closure
By the early 1990s, changes in the music industry and media consumption habits began to impact the viability of weekly music magazines. The rise of new media formats, including music television and the early stages of digital media, altered how audiences accessed music news and content.
*Number One* faced declining sales and increasing competition from other publications and media outlets. In 1992, after nearly a decade of publication, the magazine ceased production. Its closure marked the end of an era for a magazine that had provided a valuable weekly snapshot of the UK pop music scene during the 1980s.
### Legacy
Although *Number One* magazine is no longer in circulation, it remains a notable part of British pop culture history. Its detailed chart coverage and artist interviews provide a valuable archive of the music scene during a vibrant period in UK pop music. Collectors and music historians often reference *Number One* issues for insights into the trends and artists that shaped the 1980s music landscape.
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**Meta Description:**
*Number One* was a British weekly pop music magazine published from 1983 to 1992, known for its focus on UK chart music, artist interviews, and exclusive posters. It competed with other music magazines by providing timely updates and comprehensive chart coverage for a teenage audience.