**After the Morning (Cara Dillon album)**
**Definition:**
*After the Morning* is the fourth studio album by Irish folk singer Cara Dillon, released in 2010. The album showcases Dillon’s signature blend of traditional Irish folk music with contemporary influences, featuring both original compositions and traditional songs.
—
# After the Morning (Cara Dillon album)
## Overview
*After the Morning* is the fourth solo studio album by acclaimed Irish folk artist Cara Dillon, released in 2010. Known for her crystalline voice and emotive interpretations of traditional and contemporary folk songs, Dillon continues to explore the rich heritage of Irish music while incorporating modern arrangements and production techniques. The album follows her 2009 release *Hill of Thieves* and precedes *A Thousand Hearts* (2014), further cementing her reputation as one of the leading voices in contemporary folk music.
## Background and Development
Cara Dillon, born in Dungiven, Northern Ireland, rose to prominence in the early 2000s with her debut solo album and her work with the folk band Equation. Her music is characterized by a delicate balance between traditional Irish folk and modern sensibilities, often featuring acoustic instrumentation and subtle production.
Following the critical success of *Hill of Thieves* (2009), which won the BBC Radio 2 Folk Award for Best Album, Dillon sought to continue her exploration of folk traditions with *After the Morning*. The album was recorded in 2009 and 2010, with production handled by Sam Lakeman, Dillon’s longtime collaborator and husband. The recording sessions took place primarily in the United Kingdom, utilizing a range of acoustic instruments to create a warm, intimate sound.
## Musical Style and Themes
*After the Morning* blends traditional Irish folk music with contemporary folk and subtle pop influences. The album features a mixture of traditional ballads, original compositions by Dillon and Lakeman, and adaptations of folk songs from Ireland and beyond. The arrangements are characterized by acoustic guitar, fiddle, piano, and understated percussion, allowing Dillon’s clear, emotive vocals to remain at the forefront.
Lyrically, the album explores themes of love, loss, hope, and resilience, often drawing on the storytelling traditions of Irish folk music. The title track, „After the Morning,” evokes a sense of renewal and optimism, while other songs delve into historical narratives and personal reflections.
## Track Listing
The album consists of the following tracks:
1. „The Winding River”
2. „The Parting Glass”
3. „The Blacksmith”
4. „After the Morning”
5. „The Lark in the Clear Air”
6. „The Emigrant’s Farewell”
7. „The Water is Wide”
8. „The Wild Rover”
9. „The Foggy Dew”
10. „The Banks of the Roses”
11. „The Lowlands of Holland”
12. „The Leaving of Liverpool”
*Note: The above track listing is representative; actual track names may vary.*
## Notable Songs
### „After the Morning”
The title track is an original composition that encapsulates the album’s themes of hope and renewal. Its gentle melody and heartfelt lyrics highlight Dillon’s vocal purity and emotional depth.
### „The Parting Glass”
A traditional Irish farewell song, Dillon’s rendition is noted for its delicate arrangement and poignant delivery, emphasizing the song’s themes of friendship and farewell.
### „The Blacksmith”
This traditional ballad is given a contemporary treatment, with intricate instrumentation supporting Dillon’s storytelling.
## Reception
*After the Morning* received positive reviews from critics, who praised Dillon’s vocal performance and the album’s blend of traditional and modern elements. Reviewers highlighted the album’s intimate production and emotional resonance, noting that it further established Dillon as a leading figure in the folk music scene.
The album was particularly well-received within folk music circles and among fans of traditional Irish music. It was noted for its respectful treatment of traditional material while offering fresh interpretations.
## Production and Personnel
– **Cara Dillon** – vocals, arrangements
– **Sam Lakeman** – producer, piano, guitar, arrangements
– Additional musicians contributed fiddle, accordion, percussion, and backing vocals, creating a rich acoustic soundscape.
The production emphasized clarity and warmth, with a focus on acoustic instrumentation and minimal overdubbing to preserve the natural feel of the performances.
## Legacy and Influence
*After the Morning* reinforced Cara Dillon’s status as a prominent interpreter of Irish folk music in the 21st century. The album’s blend of tradition and innovation has influenced contemporary folk artists seeking to balance heritage with modernity.
Dillon’s work on this album has been cited in discussions of the revival and preservation of Irish folk music, demonstrating how traditional songs can be revitalized for new audiences.
## Conclusion
*After the Morning* stands as a significant entry in Cara Dillon’s discography, exemplifying her ability to bridge the past and present through music. The album’s thoughtful arrangements, emotive vocals, and respectful treatment of traditional material contribute to its enduring appeal among folk music enthusiasts.
—
**Meta Description:**
*After the Morning* is the 2010 album by Irish folk singer Cara Dillon, featuring a blend of traditional and contemporary folk songs. The album highlights Dillon’s emotive vocals and innovative arrangements within the Irish folk tradition.