**Kissing a Fool (song)**
**Definition:**
„Kissing a Fool” is a jazz-influenced ballad performed by American singer George Michael. Released in 1988, the song is noted for its minimalist arrangement and heartfelt lyrics, showcasing Michael’s vocal range and songwriting skills.
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## Kissing a Fool (song)
„Kissing a Fool” is a song by British singer-songwriter George Michael, featured on his debut solo studio album, *Faith* (1987). The track was released as the sixth and final single from the album in 1988. Distinguished by its stripped-down jazz ballad style, „Kissing a Fool” contrasts with the predominantly pop and dance-oriented sound of the rest of the *Faith* album. The song highlights Michael’s versatility as a vocalist and songwriter, emphasizing emotional vulnerability through its lyrical content and musical arrangement.
### Background and Composition
Following the massive commercial success of *Faith*, which blended pop, dance, and R&B elements, George Michael sought to explore different musical styles. „Kissing a Fool” stands out as a departure from the album’s upbeat tracks, embracing a classic jazz ballad form reminiscent of 1950s and 1960s standards.
The song was written solely by George Michael and produced by Michael himself. It features a minimalist arrangement primarily consisting of piano, double bass, and subtle percussion, allowing the focus to remain on Michael’s vocal delivery. The song’s harmonic structure and melodic phrasing draw inspiration from traditional jazz and pop standards, with a slow tempo and smooth, sultry mood.
Lyrically, „Kissing a Fool” deals with themes of trust, vulnerability, and the complexities of romantic relationships. The narrator expresses doubt and insecurity about the sincerity of a lover’s intentions, reflecting on the risks involved in opening one’s heart.
### Recording and Production
The recording of „Kissing a Fool” took place during the sessions for the *Faith* album, primarily in 1987. George Michael was heavily involved in the production process, aiming to create an intimate and timeless sound. The choice to use live instrumentation, including acoustic piano and upright bass, was deliberate to evoke the feel of a classic jazz club performance.
Michael’s vocal performance on the track is notable for its smoothness and control, showcasing his ability to convey emotion through subtle nuances. The production avoids heavy studio effects, instead opting for a clean and natural sound that complements the song’s lyrical content.
### Release and Reception
„Kissing a Fool” was released as a single in 1988, following the success of previous singles from *Faith* such as „Faith,” „Father Figure,” and „One More Try.” Although it did not achieve the same level of commercial success as some of the album’s other singles, the song was well-received by critics and fans alike for its sophistication and emotional depth.
On the charts, „Kissing a Fool” reached the top 10 in the United States, peaking at number 18 on the Billboard Hot 100. It also charted in several other countries, including Canada and the United Kingdom, where it was less commercially successful but still appreciated for its artistic merit.
Critics praised the song for its departure from the mainstream pop sound of the era, highlighting Michael’s vocal performance and the song’s elegant arrangement. It has since been regarded as one of George Michael’s most enduring ballads and a testament to his versatility as an artist.
### Music Video
The music video for „Kissing a Fool” is minimalist and understated, reflecting the song’s intimate nature. It features George Michael performing the song in a dimly lit setting, emphasizing the emotional tone without elaborate visuals or narrative elements. The simplicity of the video aligns with the song’s focus on vocal expression and lyrical content.
### Live Performances
George Michael included „Kissing a Fool” in the setlists of several of his tours, often performing it as a solo piano ballad. The song’s live renditions were praised for their emotional intensity and showcased Michael’s ability to connect with audiences through stripped-back performances.
### Legacy and Influence
Over time, „Kissing a Fool” has become recognized as a classic example of George Michael’s songwriting prowess and his ability to cross genre boundaries. The song’s jazz influences and mature themes set it apart from much of the late 1980s pop music landscape.
It has been covered by various artists and remains a favorite among fans for its timeless quality. The track is often cited as an influence on contemporary artists who blend pop and jazz elements in their music.
### Track Listings
**7-inch single**
1. „Kissing a Fool” – 4:35
2. „Kissing a Fool” (Instrumental) – 4:35
**12-inch single**
1. „Kissing a Fool” – 4:35
2. „Kissing a Fool” (Instrumental) – 4:35
3. „Look at Your Hands” – 4:39
### Personnel
– George Michael – vocals, producer, songwriter
– Andy Richards – piano
– Deon Estus – bass guitar
– Chris Cameron – string arrangements
– Hugh Burns – guitar
– Steve Sidwell – trumpet
– Phil Palmer – guitar
– David Austin – backing vocals
### Chart Performance
| Chart (1988) | Peak position |
|—————————-|—————|
| US Billboard Hot 100 | 18 |
| US Adult Contemporary | 1 |
| Canada RPM Top Singles | 12 |
| UK Singles Chart | 18 |
### Critical Analysis
„Kissing a Fool” is often analyzed for its lyrical honesty and musical restraint. The song’s narrative explores the tension between desire and fear of emotional pain, a theme that resonates universally. Musically, the use of jazz idioms within a pop context was innovative for its time, demonstrating Michael’s willingness to experiment beyond conventional pop frameworks.
The song’s success on the Adult Contemporary charts underscores its appeal to a mature audience, contrasting with the more youthful energy of other *Faith* singles. Its enduring popularity is attributed to its sophisticated composition and Michael’s emotive vocal delivery.
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**Meta Description:**
„Kissing a Fool” is a jazz-influenced ballad by George Michael from his 1987 album *Faith*. Released as a single in 1988, the song is celebrated for its minimalist arrangement and emotional depth.